RoseLee Goldberg Books
RoseLee Goldberg es historiadora del arte, comisaria y crítica, reconocida por su trabajo pionero en el estudio del arte de performance. Fundadora de Performa, una organización dedicada a la promoción del performance contemporáneo, ha sido profesora en la New York University y autora de varios textos fundamentales sobre arte contemporáneo.
Known for: Performance Art: From Futurism to the Present
Books by RoseLee Goldberg
Performance Art: From Futurism to the Present
Performance art begins where the stable art object ends. In Performance Art: From Futurism to the Present, RoseLee Goldberg traces a century-long history of artists who turned action, presence, risk, ritual, and the body itself into primary artistic material. Rather than treating performance as a side note to painting, sculpture, or theater, Goldberg shows that it has been one of the central engines of modern and contemporary art. From the explosive provocations of Futurism and Dada to Happenings, body art, feminist interventions, political actions, multimedia work, and global contemporary practices, the book maps how artists repeatedly used live presence to challenge institutions, audiences, and cultural norms. What makes this history so important is that performance art reveals how art responds immediately to its moment: to war, technology, gender politics, mass media, and social change. Goldberg is uniquely qualified to tell this story. A pioneering art historian, critic, curator, and founder of Performa, she has spent decades documenting, contextualizing, and championing performance as a major art form. Her book remains one of the essential guides to understanding how art moved off the wall and into lived experience.
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Performance Began as Artistic Revolt
One of the most revealing truths about performance art is that it did not emerge from comfort or consensus; it emerged from artists wanting to break art open. Goldberg shows that the roots of performance lie in the early twentieth century, especially in Futurism, when artists such as Filippo Tommaso...
From Performance Art: From Futurism to the Present
Dada Turned Absurdity into Method
When the world becomes irrational, coherent art can feel dishonest. That is the insight behind Dada, which Goldberg presents as one of performance art’s most formative turning points. Born amid the devastation of World War I, Dada rejected reason, order, and artistic seriousness. At places like the ...
From Performance Art: From Futurism to the Present
The Avant-Garde Reimagined Space and Form
Performance art expanded dramatically when artists stopped treating the stage as a fixed theatrical container and began seeing all space as potentially performative. Goldberg traces this shift through Constructivism, the Bauhaus, and postwar avant-garde experimentation. In Soviet Constructivism, art...
From Performance Art: From Futurism to the Present
The Body Became the Artwork
Perhaps the most radical development in Goldberg’s history is the moment artists stopped merely representing ideas and instead used their own bodies as the site of inquiry. In the 1960s and 1970s, body art and conceptual performance transformed live art into an arena for endurance, vulnerability, se...
From Performance Art: From Futurism to the Present
Feminist Artists Reclaimed Presence and Power
If performance art is uniquely suited to challenge how bodies are seen, then it is no surprise that feminist artists transformed the field. Goldberg gives major importance to artists who used performance to confront the historical objectification of women, the invisibility of women in art history, a...
From Performance Art: From Futurism to the Present
Performance Art Engages Politics Directly
Art can comment on politics from a distance, but performance often refuses distance altogether. Goldberg emphasizes that many artists turned to performance because it allowed immediate engagement with censorship, war, race, state violence, class inequality, and public memory. Since performance happe...
From Performance Art: From Futurism to the Present
About RoseLee Goldberg
RoseLee Goldberg es historiadora del arte, comisaria y crítica, reconocida por su trabajo pionero en el estudio del arte de performance. Fundadora de Performa, una organización dedicada a la promoción del performance contemporáneo, ha sido profesora en la New York University y autora de varios texto...
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RoseLee Goldberg es historiadora del arte, comisaria y crítica, reconocida por su trabajo pionero en el estudio del arte de performance. Fundadora de Performa, una organización dedicada a la promoción del performance contemporáneo, ha sido profesora en la New York University y autora de varios texto...
RoseLee Goldberg es historiadora del arte, comisaria y crítica, reconocida por su trabajo pionero en el estudio del arte de performance. Fundadora de Performa, una organización dedicada a la promoción del performance contemporáneo, ha sido profesora en la New York University y autora de varios textos fundamentales sobre arte contemporáneo.
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RoseLee Goldberg es historiadora del arte, comisaria y crítica, reconocida por su trabajo pionero en el estudio del arte de performance. Fundadora de Performa, una organización dedicada a la promoción del performance contemporáneo, ha sido profesora en la New York University y autora de varios textos fundamentales sobre arte contemporáneo.
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